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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
A Turner Classic Movies expert shares his top picks.
All Night Long (also known as Night People) is a 1962 British neo noir drama film directed by Basil Dearden and starring Patrick McGoohan, Keith Michell, Betsy Blair, Paul Harris, Marti Stevens, and Richard Attenborough. [1]
Underworld U.S.A. (also known as Underworld USA) is a 1961 American neo-noir [2] crime film produced, written, and directed by Samuel Fuller. It tells the story of a 14-year-old boy who goes to enormous lengths to get revenge against the mobsters who beat his father to death. It stars Cliff Robertson, Dolores Dorn, and Beatrice Kay. [3]
A blend of smooth jazz music and tobacco smoke fills the air as the silhouette of a trench coat and fedora-clad bystander trudges down a dark city corridor, accompanied only by his shadow. The ...
The Devil at 4 O'Clock is a 1961 American adventure film directed by Mervyn LeRoy and starring Spencer Tracy and Frank Sinatra.Based on a 1958 novel with the same title by British writer Max Catto, the film was a precursor to Krakatoa, East of Java and the disaster films of the 1970s such as The Poseidon Adventure, Earthquake and The Towering Inferno.
Five Minutes to Live is a 1961 American neo-noir [1] crime film directed by Bill Karn. It was re-titled Door-to-Door Maniac for an American International Pictures re-release in 1966. The film stars Johnny Cash, who wrote and sang the title song, and Cay Forrester, who wrote the screenplay and whose husband, Ludlow Flower, produced. [2]
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
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