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A post-fader output is used in order to prevent channels whose faders are at zero gain from "contaminating" the effects-return loop with hiss and hum. Mixing consoles most commonly have a group of aux-send knobs in each channel strip, or, on small mixers, a single aux-send knob per channel, where one knob corresponds to each aux-send on the board.
Simple additive mixers use Kirchhoff's circuit laws to add the currents of two or more signals together, and this terminology ("mixer") is only used in the realm of audio electronics where audio mixers are used to add together audio signals such as voice signals, music signals, and sound effects. Multiplicative mixers multiply together two time ...
The master control section on a large live venue or sound recording mixer typically has sub-group faders, master faders, master auxiliary mixing bus level controls and auxiliary return level controls. On most mixers, the master control is a fader. However, on some small mixers, rotary knobs are used instead to save space (and cost).
Live sound mixing is the process of electrically blending together multiple sound sources at a live event using a mixing console. Sounds used include those from instruments, voices, and pre-recorded material. Individual sources may be equalised and routed to effect processors to ultimately be amplified and reproduced via loudspeakers. [3]
The signal may also be routed into an external effects processor, such as a reverb effect, which outputs a wet (effected) version of the signal, which is typically mixed in varying amounts with the dry (effect-free) signal. Many electronic effects units are used in sound reinforcement systems, including digital delay and reverb.
A mixer (mixing console, mixing desk, mixing board, or software mixer) is the operational heart of the mixing process. [10] Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder. Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround).
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