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Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group.Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism.
English. Read; Edit; View history; Tools. ... Post-impressionist painters (5 C, 109 P) S. Post-impressionist sculptors (1 P) Pages in category "Post-Impressionist ...
Georges Henri Manzana Pissarro (1871–1961) was a French artist who worked in Impressionist and Post-Impressionist styles. Also known as 'Manzana', he was born in 1871 in France, at Louveciennes, the third child of Impressionist artist Camille Pissarro. He was of Portuguese-Jewish descent. [1]
Synthetism is a term used by Post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work stylistically from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism , and later to Symbolism . [ 1 ]
Imperial Fritillaries in a Copper Vase is an oil painting on canvas created by the Post-Impressionist painter Vincent van Gogh in Paris, 1887. The painting is now part of the collection of the Musée d'Orsay in Paris, France. This work was made at a time of the life of Van Gogh when he first encountered influences from Impressionists and became ...
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of players, and the setting in which the game takes place.
The Eternal Feminine is an 1877 oil-on-canvas painting by the French Post-Impressionist artist Paul Cézanne. [1] The ambiguous work shows men gathered around a single female figure. A range of professions are represented: writers, lawyers, and a painter (possibly Eugène Delacroix or Cézanne himself).