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Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group.Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism.
English. Read; Edit; View history; Tools. ... Post-impressionist painters (5 C, 109 P) S. Post-impressionist sculptors (1 P) Pages in category "Post-Impressionist ...
Georges Henri Manzana Pissarro (1871–1961) was a French artist who worked in Impressionist and Post-Impressionist styles. Also known as 'Manzana', he was born in 1871 in France, at Louveciennes, the third child of Impressionist artist Camille Pissarro. He was of Portuguese-Jewish descent. [1]
Synthetism is a term used by Post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work stylistically from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism , and later to Symbolism . [ 1 ]
Camille Pissarro is a pivotal character in the historical fiction novels, The Dream Collector, Books I & II by R.w. Meek, depicting his major role among the Impressionists and his open-mindedness toward the Post-Impressionist art of George Seurat, Paul Gauguin and Vincent van Gogh.
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of players, and the setting in which the game takes place.
Albright-Knox Art Gallery, Buffalo, New York Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Édouard Dujardin on the occasion of the Salon des Indépendants , in March 1888. [ 1 ]