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The Piano Sonata No. 25 in G major, Op. 79, was composed by Ludwig van Beethoven in 1809. It is alternatively titled "Cuckoo" or "Sonatina," and it is notable for its shortness. [1] A typical performance lasts only about nine minutes. [2] The work is in three movements: a fast-paced Presto alla tedesca, a slower Andante, and a lively Vivace.
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
It began in January 1932, when the Sonata No. 31 in A ♭ major (Op. 110) was the first to be successfully recorded. [8] The final recordings were made in November 1935, and the project culminated with Sonata No. 25 in G major (Op. 79). [9] The Beethoven Society began distributing Schnabel's recordings in March 1932, issuing 12 volumes through ...
Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Scarlatti, Liszt, Scriabin, Medtner, Berg), others with two movements (Haydn, Beethoven), some contain five (Brahms' Third Piano Sonata, Czerny's Piano Sonata No. 1, Godowsky's Piano Sonata) or even more movements.
Like Mozart's, Beethoven's musical talent was recognized at a young age, [3] and these three piano sonatas give an early glimpse of the composer's abilities, as well as his boldness. Beethoven was writing in a form usually attempted by older, more mature composers, [4] as the sonata was a cornerstone of Classical piano literature. Since they ...
A recent evaluation opines that the sonata shares stylistic characteristics with the Piano Sonatas, WoO 47, Nos. 1–3. [ 3 ] While Alexander Thayer believed that the sonata was a complete three movement work by 1796, at the time of Beethoven's death the manuscript copy only contained the complete first movement and an incomplete second movement.
Although this was Beethoven's first piano concerto to be published, it was actually his third attempt at the genre, following an unpublished piano concerto in E-flat major of 1784 and the Piano Concerto No. 2. The latter was published in 1801 in Leipzig after the Piano Concerto No. 1, but was composed over a period of years, perhaps beginning ...
The Sonatas for cello and piano No. 4 in C major, Op. 102, No. 1, and No. 5 in D major, Op. 102, No. 2, by Ludwig van Beethoven were composed simultaneously in 1815 and published, by Simrock, in 1817 with a dedication to the Countess Marie von Erdődy, a close friend and confidante of Beethoven. [1]
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