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Brucker, Gene A. Renaissance Florence (2nd ed. 1983) Cochrane, Eric. Florence in the Forgotten Centuries, 1527-1800: A History of Florence and the Florentines in the Age of the Grand Dukes (1976) Crum, Roger J. and John T. Paoletti. Renaissance Florence: A Social History (2008) excerpt and text search; Goldthwaite, Richard A.
Antonio del Pollaiuolo, Portrait of a Young Woman (1470–1472), Museo Poldi Pezzoli, Milan. Facade of Santa Maria Novella (1456) Michelangelo, Doni Tondo (1503–1504). The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th.
Florence remained a republic until 1532 (see Duchy of Florence), traditionally marking the end of the High Renaissance in Florence, but the instruments of republican government were firmly under the control of the Medici and their allies, save during the intervals after 1494 and 1527.
Florence was the birthplace of High Renaissance art, which lasted from about 1500 to 1527. Renaissance art put a larger emphasis on naturalism and human emotion. [75] Medieval art was often formulaic and symbolic; the surviving works are mostly religious, their subjects were chosen by clerics.
During Lorenzo's reign, the Renaissance truly descended on Florence. Lorenzo commissioned a multitude of amazing pieces of art and also enjoyed collecting fine gems. Lorenzo had many children with his wife Clarice Orsini, including the future Pope Leo X and his eventual successor in Florence, Piero the Unfortunate.
The guilds of Florence were secular corporations that controlled the arts and trades in Florence from the twelfth into the sixteenth century. These Arti included seven major guilds (collectively known as the Arti Maggiori ), five middle guilds ( Arti Mediane ) and nine minor guilds ( Arti Minori ).
The music of Florence is foundational in the history of Western European music.Music was an important part of the Italian Renaissance.It was in Florence that the Florentine Camerata convened in the mid-16th century and experimented with setting tales of Greek mythology to music and staging the result—in other words, the first operas, setting the wheels in motion not just for the further ...
Honour and Fleming stated the High Renaissance was the first quarter of the 16th century meaning it would have ended in 1525. By contrast, Luigi Lanzi, in his History of Italian Painting , 1795–96, stated it ended with the Sack of Rome in 1527, [ 12 ] when several artists were killed and many other dispersed from Rome , and Stokstad agrees.