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The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
Ihara Saikaku (井原 西鶴, 1642 – September 9, 1693) was a Japanese poet and creator of the "floating world" genre of Japanese prose (ukiyo-zōshi).. His born name may have been Hirayama Tōgo (平山藤五), the son of a wealthy merchant in Osaka, and he first studied haikai poetry under a follower of Matsunaga Teitoku and later studied under Nishiyama Sōin of the Danrin school of ...
Virgilio experimented with the haiku form, trying several innovations that other American haiku poets were exploring, including dropping the traditional 5-7-5 syllable count in favor of shorter forms. He sometimes included rhyme in his haiku along with the gritty reality of urban America. A collection of his selected haiku was published in 1985.
In commemoration of the 300th anniversary of Kikaku's death, Nobuyuki Yuasa led an international bilingual (Japanese and English) renku, or collaborative linked poem, which opened with the following hokku by Kikaku: [4] 鐘ひとつ賣れぬ日はなし江戸の春 Springtime in Edo, Not a day passes without A temple bell sold.
Inch by Inch: 45 Haiku by Issa. Albuquerque: La Alameda Press, 1999 ISBN 978-1-888809-13-8; E.U. Ramirez-Christensen and Shinkei. Heart's Flower : The Life and Poetry of Shinkei. Stanford, Calif.: Stanford University Press, 1994. ISBN 978-0-8047-2253-7; A. Skilton, "How the Nagas Were Pleased by Harsha and The Shattered Thighs by Bhasa".
The Great Enigma (Swedish: Den stora gåtan) is a 2004 collection of poetry by the Swedish writer Tomas Tranströmer. It consists of five poems in free format, followed by 45 haiku in eleven suites. It is one of the two collections Tranströmer wrote after his 1990 stroke , and it was therefore written at a slow pace with the left hand.
Kakinomoto no Hitomaro (柿本 人麻呂 or 柿本 人麿; c. 653–655 – c. 707–710) was a Japanese waka poet and aristocrat of the late Asuka period.He was the most prominent of the poets included in the Man'yōshū, the oldest waka anthology, but apart from what can be gleaned from hints in the Man'yōshū, the details of his life are largely uncertain.
In an article for the periodical Early Modern Japan, Cheryl Crowley wrote, "Chora . . . studied with disciples of Bakurin, a leader of a rural Bashō school.Chora was a successful haikai master with numerous students, although he had a reputation for being irresponsible and profligate in his ways.