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Saz Sound The bağlama or saz is a family of plucked string instruments and long-necked lutes used in Ottoman classical music , Turkish folk music , Turkish Arabesque music , Azerbaijani music , Bosnian music ( Sevdalinka ), Kurdish music , and Armenian music .
It is an essential instrument in the Rahbani repertoire, but it is not classified among the classical instruments of Arab or Turkish music. However, this instrument may be looked upon as a larger and deeper-toned relative of the saz, to which it could be compared in the same way as the viola to the violin in Western music.
The šargija usually accompanies the violin, and has a jangling quality, similar to the Turkish saz. Musician's play with "complex polyphonic techniques". [1] The sharki is a similar to or related to the two-string Çifteli or qiftelia, but with more strings.
Cümbüş Music is still an active company in Istanbul and manufactures a wide range of traditional Turkish instruments. [7] The instruments are hand made in the family's workshop in Istanbul, by three members of the Cümbüş family, Naci Abidin Cümbüş and his two sons Fethi and Alizeynel.
Described as "Turkey’s most beloved alternative music purveyors," [3] Baba Zula create a unique psychedelic sound, combining traditional Turkish instruments, electronica, reggae, and dub. The core of their sound is the saz, a Turkish bouzouki-like stringed instrument with a bright, high-pitched sound. [ 3 ]
Ashik Ağalar Mikayılov playing the saz Ashugh Jivani (center, playing the kamani) with instrumentalists Soviet stamp from 1962 devoted to Sayat-Nova's 250 anniversary.. An ashik (Azerbaijani: aşıq, azb:آشؽق; Turkish: âşık; —all from Azerbaijani: aç) or ashugh (Armenian: աշուղ; Georgian: აშუღი) [1]: 1365 [2] [3] is traditionally a singer-poet and bard who ...
Artists like Mariah Carey and Ariana Grande have managed to perfect music's cheesiest genre, while others would've been better off leaving it alone. The 6 best and 6 worst celebrity Christmas ...
The serial album titled Muhabbet ("Small talk"), which he recorded with Musa Eroğlu, Muhlis Akarsu, and later Yavuz Top, helped introduce Turkish folk music to broad masses after 1980. [ 2 ] Markoff comments on one of his performances that "Sağ has been consistent in his truly creative approaches to refashioning standard baglama repertoire.
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