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Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for Giovanni Battista), was an Italian Baroque painter working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome.
Bernini is responsible for not only obtaining the commission for Gaulli, but also for inspiring some of the designs. [4] If not for Bernini's illusionistic merging of architecture and sculpture, in the Ecstasy of Saint Teresa at the Cornaro Chapel in Santa Maria della Vittoria, Gaulli's ceiling fresco may have turned out quite differently. [5]
The ceiling of the apse is adorned by the painting Glory of the Mystical Lamb by Baciccia (Giovanni Battista Gaulli). [11] The most striking feature of the interior decoration is the ceiling fresco, the grandiose Triumph of the Name of Jesus (1678-1679) [12] by Giovanni Battista Gaulli. Gaulli also frescoed the cupola, including lantern and ...
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1709, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
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Giovanni Battista Gaulli (1639–1709), 9 paintings : Apotheosis of St Ignatius, Galleria Nazionale d'Arte Antica, Rome Jacob Adriaensz Backer (1608–1651), 7 paintings : Granida and Daifilo , The Hermitage, St. Petersburg (url)
The Larry Sultan Visiting Artist Program is a collaboration between Pier 24 Photography, California College of the Arts and the San Francisco Museum of Modern Art created in honor of the influential Bay Area photographer and educator, Larry Sultan. [32] Each year, the program brings six international artists to San Francisco.
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...