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Such provisionals included both prepaid envelopes and stamps, mostly of crude design, the New York Postmaster's Provisional being the only one of quality comparable to later stamps. The provisional issues of Baltimore were notable for the reproduced signature of the city's postmaster— James M. Buchanan (1803–1876), a cousin to President ...
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
The 1869 Pictorial Issue is a series of definitive United States postage stamps released during the first weeks of the Grant administration. Ten types of stamp in denominations between one cent and ninety cents were initially offered in the series, with eight of these introduced on March 19 and 20, 1869 and the two greatest values being distributed somewhat later. [1]
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music). The overture is in ...
However, this legislation was set to expire in April 2016. As a result, the Post Office retained one cent of the price change as a previously allotted adjustment for inflation, but the price of a first-class stamp became 47 cents: for the first time in 97 years (and for the fourth time in the agency's history) the price of a stamp decreased. [32]
The Overture in C, "In Memoriam", by Arthur Sullivan, premiered on 30 October 1866 at the Norwich Festival, in honour of his father, who died just before composition began. The piece was written early in Sullivan's career, before he began to work with his famous collaborator, W. S. Gilbert , on their series of Savoy Operas .
After the main theme, we hear a secondary theme in F major. The development brings the return of previous themes through a series of restless modulations. After a slower section for horn and strings, the recapitulation brings the return of the main themes. The overture concludes with a triumphant reprise of the opening woodwind theme.
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