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Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), whose music was composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs.
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Not included are films where an overture is used to present the credits, or underscored scenes that are already part of the plot. Often, but not necessarily, these films also include an intermission with entr'acte, followed by exit music (after the credits). This list documents the rise and fall of the Overture/Roadshow practice over film history.
Handel composed the Occasional Oratorio hastily in January and February 1746, borrowing and re-arranging some movements from previous compositions, and premiered it immediately on 14 February 1746 with Willem de Fesch, Élisabeth Duparc, Elisabetta de Gambarini, John Beard, and Thomas Reinhold at Covent Garden Theatre.
Light Cavalry Overture is the overture to Franz von Suppé’s operetta Light Cavalry (German: Leichte Kavallerie), [1] premiered in Vienna in 1866. [2] Although the whole operetta is rarely performed or recorded, the overture is one of Suppé's most popular compositions, and has achieved a quite distinct life of its own, divorced from the opera of which it originally formed a part.