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The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C 0 to B 8 was first built in 2018 by Stuart & Sons. [4] (Note: these piano key numbers 1-108 are not the n keys in the equations or the table.)
In music, the range, or chromatic range, of a musical instrument is the distance from the lowest to the highest pitch it can play. For a singing voice , the equivalent is vocal range . The range of a musical part is the distance between its lowest and highest note .
Scientific pitch notation is often used to specify the range of an instrument. It provides an unambiguous means of identifying a note in terms of textual notation rather than frequency, while at the same time avoiding the transposition conventions that are used in writing the music for instruments such as the clarinet and guitar.
The natural inharmonicity of a piano is used by the tuner to make slight adjustments in the tuning of a piano. The tuner stretches the notes, slightly sharpening the high notes and flatting the low notes to make overtones of lower notes have the same frequency as the fundamentals of higher notes. See also Piano wire, piano tuning, psychoacoustics.
Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...
When the range was extended down by one note, to a G, that note was denoted using the Greek letter gamma (Γ), the lowest note in Medieval music notation. [citation needed] (It is from this gamma that the French word for scale, gamme derives, [citation needed] and the English word gamut, from "gamma-ut". [citation needed])
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Hence, in musical notation, tessitura is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used.
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