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The Mansudae Grand Monument in Pyongyang in 2014 depicting Kim Il Sung (left) and Kim Jong Il (right), with visitors paying homage to the statues. [1]The North Korean cult of personality surrounding the Kim family [2] has existed in North Korea for decades and can be found in many examples of North Korean culture. [3]
Pulgasari [a] is an epic monster film [i] directed and produced by Shin Sang-ok in 1985 during his North Korean abduction.A co-production between North Korea, Japan, and China, it is considered a remake of Bulgasari, a 1962 South Korean film that also depicts Bulgasari/Pulgasari, a creature from Korean folklore.
War film: First North Korean feature film [5] [6] [7] 1950 May 1st of 1950: 1950년 5•1절 Kim Un-mong Hong Il-sung Documentary First color film produced in North Korea [4] 1950: Announcing to the World: 전 세계에 고함: Sang-in Cheon: Documentary: Released during Korean War [8] 1950: Righteous War: 정의의 전쟁: Documentary
North Korea's principal producer of feature films is the Korean Art Film Studio, a state-run studio founded in 1947 and located outside of Pyongyang.Other North Korean film studios include the Korean Documentary Film Studio (founded in 1946), the April 25 Film Studio of the Korean People's Army (founded in 1959 and previously known as the February 8 Cinema Studio) and the Korean Science and ...
Living Souls) is a 2000 North Korean film directed by Kim Chun-song. The film is an epic dramatisation of a mysterious explosion sinking the Ukishima Maru, while it was on a trip to repatriate Koreans in the wake of World War II. The explosion ship sank 10 days after Japan surrendered to the United States on 15 August 1945. The film supports ...
The 2015 Russian documentary Under the Sun, directed by Vitaly Mansky, provides a rare and critical glimpse into life in North Korea. The film follows an eight-year-old girl, Zin-mi, over the course of a year as she prepares to join the Korean Children's Union on the Day of the Shining Star, a national holiday marking Kim Jong-il's birthday.
The film, which includes interviews as well as archival and contemporary news footage, attempts to describe the nation's social realities with particular attention to media manipulation by the DPRK government, while also questioning the simplifications and caricatures about North Korea made by foreign observers.
The film had 907,255 admissions in South Korea. [2] The politics of North Korea in this film are left behind and are mainly in the background. Instead it concentrates more on the life of the average North Korean, such as the hardship in an impoverished state and the fear of getting caught and being persecuted in North Korea. Subtle themes ...
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