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The English word rondo comes from the Italian form of the French rondeau, which means "a little round". [3] Today the word rondo is widely used in the English language to refer to any musical work, vocal or instrumental, containing a principal theme which alternates with one or more contrasting themes.
A rondeau (French:; plural: rondeaux) is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries.
The simplest kind of sonata rondo form is a sonata form that repeats the opening material in the tonic at the end of the exposition and recapitulation sections. [A B' A] exp [C"] dev [A B A] recap By adding in these extra appearances of A, the form reads off as AB'AC"ABA , hence the alternation of A with "other" material that characterizes the ...
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Glee – English part song of respectable and artistic character and often composed for male voices only. Partita – Suite of instrumental or vocal pieces, often consisting of dance movements. Passacaglia – Musical form similar to a chaconne, consisting of variations over a ground bass. Passion – Musical setting of the Passion of Christ.
While through-composed form is very uncommon in popular music, several notable examples do exist: "2 + 2 = 5" by Radiohead shifts through four main sections, none of which repeat. [5] Starting with the first part (in 7 8), [6] each section gets progressively louder until the climax of the song's final portion.
The work follows the common A–B–A–C–A pattern characteristic of the rondo form; "A" is a returning theme and "B" and "C" are episodes. "A" is in A minor (the key of the piece), "B" is in F major, and "C" is in A major. Following the last appearance of "A" there is a coda that draws on the music for A as well as a minor key version of C.
The first of the three rondos was composed in 1916, together with many other compositions based on Hungarian and Romanian folk songs. Bartók composed the rondo while he was collecting folk tunes from Hungary and surrounding areas.