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The globus cruciger (Latin for 'cross-bearing orb'), also known as stavroforos sphaira (Greek: σταυροφόρος σφαίρα) [1] or "the orb and cross", is an orb surmounted by a cross. It has been a Christian symbol of authority since the Middle Ages , used on coins , in iconography , and with a sceptre as royal regalia .
At least in later Orthodox images, each bar of this cross is composed of three lines, symbolising the dogmas of the Trinity, the oneness of God and the two natures of Christ. In mosaics in Santa Maria Maggiore (432–40) the juvenile Christ has a four-armed cross either on top of his head in the radius of the nimbus, or placed above the radius ...
Oreb (/ ˈ ɔːr ɛ b /) [1] is a Hebrew Old Testament name, meaning raven while Zeeb means wolf. [2] By the time of the Judges, Oreb and Zeeb were raiding Israel with the use of swift camels , until they were decisively defeated by Gideon ( Judges 7:20–25 ).
The orb, or the globe of the world, is almost exclusively associated with the Father in depictions of the Trinity. [ 1 ] For about a thousand years, in obedience to interpretations of specific Bible passages, pictorial depictions of God the Father in Western Christianity had been avoided by Christian artists.
In Christian iconography plants appear mainly as attributes on the pictures of Christ or the Virgin Mary. Christological plants are among others the vine, the columbine, the carnation and the flowering cross, which grows out of an acanthus plant surrounded by tendrils. Mariological symbols include the rose, lily, olive, cedar, cypress and palm ...
The Klosterneuburg Altar, made in 1181 by Nicholas of Verdun, includes the scene with this meaning. [ 23 ] Another biblical theme linked to the winepress referenced by commentators was the allegory of the "Vineyard of God" or " True Vine ", found in Isaiah 27:2–5 , John 15:1 and Matthew 21:33–45 , understood as a metaphor for the church. [ 24 ]
Various numbers play a significant role in Jewish texts or practice. Some such numbers were used as mnemonics to help remember concepts, while other numbers were considered to have intrinsic significance or allusive meaning. Numbers such as 7, 10, 12, and 40 were known for recurring in symbolic contexts.
Once these images are grasped, Kabbalah stresses the need to attempt to transcend them by understanding their deficiencies. Among the limitations of the central metaphor of "light" are the physical inability of the luminary to withhold its radiance, the fulfilment of purpose the light gives the luminary, and the categorical differentiation ...