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The soundtrack list to Matilda the Musical was released by Sony Masterworks and Netflix Music on 4 November 2022. [8] The album featured much of the songs featured in the stage musical as well as a new closing number written for the film, that kept undisclosed (later titled "Still Holding My Hand").
Matilda is a 1996 American fantasy comedy film co-produced and directed by Danny DeVito from a screenplay by Nicholas Kazan and Robin Swicord, based on the 1988 novel of the same name by Roald Dahl. The film stars Mara Wilson as the title character , with DeVito himself (who also served a dual role as the narrator), Rhea Perlman , Embeth ...
Roald Dahl's Matilda the Musical, or simply Matilda the Musical, or Matilda, is a 2022 fantasy musical film directed by Matthew Warchus from a screenplay by Dennis Kelly, based on the stage musical of the same name by Tim Minchin and Kelly, which in turn was based on the 1988 novel Matilda by Roald Dahl.
All versions of Matilda—the 1988 novel, the 1996 film directed by Danny DeVito, the West End/Broadway stage film, and the 2022 Netflix movie musical—differ from each other in key ways.
Tim Minchin, the composer behind Matilda The Musical, says he feels like "won the lotto again and again" by getting to work on both the show and the new film. Speaking from the premiere of the ...
[29] Mara Wilson, who played Matilda in the original 1996 film adaptation of Dahl's novel, said, "Maybe if they made it into a movie, I could have a cameo, but that's for them to decide." [ 92 ] Kelly, who wrote the book of the musical, is set to write the film's screenplay, with Minchin writing additional songs and music, and Warchus directing ...
"When I Grow Up" was the first song that Tim Minchin wrote for Matilda, attempting to find a tone for the entire musical, drawing inspiration from his child. [1] He also drew inspiration from a childhood memory in which the adults on his grandfather's farm would fiddle with the padlock to a gate, whereas Minchin went out of his way to hurdle the gate, promising to himself to never open the ...
The School Library Journal wrote "You can’t help but love songs with double meanings like the oh-so appropriately named 'Revolting Children'". [3] The New York Times deemed it a "rousing final number" [2] and "an anthem of liberation", suggesting "which Mr. Darling has choreographed with a wink at Bill T. Jones’s work on “Spring Awakening”". [4]