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However, Cupid "steals one (metrical) foot" (unum suripuisse pedem, I.1 ln 4), turning it into elegiac couplets, the meter of love poetry. Ovid returns to the theme of war several times throughout the Amores, especially in poem nine of Book I, an extended metaphor comparing soldiers and lovers (Militat omnis amans, "every lover is a soldier" I ...
Remedia Amoris (also known as Love's Remedy or The Cure for Love; c. 2 AD) is an 814-line poem in Latin by Roman poet Ovid.In this companion poem to The Art of Love, Ovid offers advice and strategies to avoid being hurt by love feelings, or to fall out of love, with a stoic overtone.
The standard situations of finding love are presented in an entertaining way. Ovid includes details from Greek mythology, everyday Roman life and general human experience. The Ars amatoria is composed in elegiac couplets, rather than the dactylic hexameters, which are more usually associated with the didactic poem.
Book 1 contains 15 poems. The first tells of Ovid's intention to write epic poetry, which is thwarted when Cupid steals a metrical foot from him, changing his work into love elegy. Poem 4 is didactic and describes principles that Ovid would develop in the Ars Amatoria. The fifth poem, describing a noon tryst, introduces Corinna by name.
Ovid's Heroides—though at first glance fictitious love letters—are described by Ovid himself as a new literary form, and can be read as character studies of famous heroines from mythology. Ovid's Fasti is a lengthy elegiac poem on the first six months of the Roman calendar.
Front matter of Boswell's copy of the 1732 edition of the Heroides, edited by Peter Burmann. Note the title Heroides sive Epistolae, The Heroides or the Letters.. The Heroides (The Heroines), [1] or Epistulae Heroidum (Letters of Heroines), is a collection of fifteen epistolary poems composed by Ovid in Latin elegiac couplets and presented as though written by a selection of aggrieved heroines ...
Ovid's decision to make myth the primary subject of the Metamorphoses was influenced by Alexandrian poetry. [4] In that tradition myth functioned as a vehicle for moral reflection or insight, yet Ovid approached it as an "object of play and artful manipulation". [4]
Another argument supporting this view is that the circumstances described in the poems seem to fit Ovid's biographical details very well, as described in his autobiographical poem Tristia 4.10 (he was born in 43 BC; the poet seems fairly wealthy; Neaera is described as his wife, whose parents he knows; Ovid states that his marriage to his ...