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2. Stańczyk (painting) - Wikipedia

   en.wikipedia.org/wiki/Stańczyk_(painting)

   A clown is usually associated with this paradox since clowns are usually seen as a happy figure, but this painting is also a representation of it, since Stańczyk is a jester, whose job is to entertain, yet he is shown in a moment of hopelessness. The dark colors in the painting convey this theme with the contrast of the bright colors in the ball.

3. Sad clown paradox - Wikipedia

   en.wikipedia.org/wiki/Sad_clown_paradox

   The sad clown paradox is the contradictory association, in performers, between comedy and mental disorders such as depression and anxiety. [ 1 ] [ 2 ] For those affected, early life is characterised by feelings of deprivation and isolation, where comedy evolves as a release for tension, removing feelings of suppressed physical rage through a ...

4. Stańczyk - Wikipedia

   en.wikipedia.org/wiki/Stańczyk

   Stańczyk, The Prussian Homage (detail). Oil on canvas, by Jan Matejko, National Museum in Kraków. In 1869 a group of young conservative publicists: Józef Szujski, Stanisław Tarnowski, Stanisław Koźmian [] and Ludwik Wodzicki [], published a series of satirical pamphlets entitled Teka Stańczyka (Stańczyk's Portfolio or Stańczyk's Files).

5. Chuck Oberstein - Wikipedia

   en.wikipedia.org/wiki/Chuck_Oberstein

   Chuck Oberstein (December 18, 1935 – May 8, 2002) was an American painter, best known for clown paintings. Biography. Early life and education Chuck Oberstein was ...

6. Category:Clowns in art - Wikipedia

   en.wikipedia.org/wiki/Category:Clowns_in_art

   Media in category "Clowns in art" The following 2 files are in this category, out of 2 total. Le Grand Cirque (1956).jpg 421 × 237; 136 KB.

7. Le Clown au Cirque - Wikipedia

   en.wikipedia.org/wiki/Le_Clown_au_Cirque

   The painting depicts floating clowns amid the circus ring in the middle of the performance. [1] The subject of circus was dear to the artist. [2] Chagall often returned to the circus as a subject matter in his artworks. [3] He considered clowns, acrobats and actors as tragically human beings who are like characters in certain religious ...