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Emmett Leo Kelly was born in Sedan, Kansas on December 9, 1898. His father, Thomas, was a section foreman for the Missouri-Pacific Railroad.While he was still a child, the family moved to Southern Missouri where his father had purchased a farm in Texas County, near the community of Houston, Missouri. [1]
Oleg Konstantinovich Popov (Russian: Олег Константинович Попoв, 31 July 1930 – 2 November 2016) was a Soviet and Russian clown and circus artist. He was awarded People's Artist of the USSR in 1969.
Carequinha – Brazilian clown and actor, born in a circus to a circus family Brazil; Cepillín – Mexican clown; Cha-U-Kao - French clown, performer at the Moulin Rouge; Charlie Bell – American clown, Ringling Bros. circus; Charlie Cairoli – Italian-born British clown; Pinto Colvig - American clown who later became famous as the voice of ...
He considered clowns, acrobats and actors as tragically human beings who are like characters in certain religious paintings. [4] Among other Post-Impressionist and Modern painters who featured the circus in their works are Georges Seurat, Henri de Toulouse-Lautrec, Pablo Picasso, Georges Rouault, Kees van Dongen, and Fernand Léger. [4]
Nov. 22, 1944: Paul Jung, clown from Ringling Brothers Circus, is at Leonard Brothers department store, to add to the merriment of kids and adults in the pre-Christmas holiday season.
In 1963, Kelly was the featured performer of the Hagen-Wallace Circus as they traveled nationwide. The elder Kelly was not happy with his son's decision to play an almost identical character, although the latter claimed his version of Weary Willie was less sad, and the two were estranged for years.
The painting was Seurat's third major work treating the theme of the circus, after his Parade (Circus sideshow) of 1887–88 and Le Chahut of 1889–90. It depicts a female performer standing on a horse at the Circus Fernando (renamed the Circus Médrano in 1890, after its most famous clown).
The painting depicts floating clowns amid the circus ring in the middle of the performance. [1] The subject of circus was dear to the artist. [2] Chagall often returned to the circus as a subject matter in his artworks. [3] He considered clowns, acrobats and actors as tragically human beings who are like characters in certain religious ...
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