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1966 The Sammy Davis Jr. Show; 1966 The Sounds of '66 (live, with Buddy Rich) 1966 Sammy Davis, Jr. Sings and Laurindo Almeida Plays (with Laurindo Almeida) 1967 That's All! (live) 1967 Sammy Davis Jr. Sings the Complete "Dr. Dolittle" 1968 Sammy Davis Jr. 1968 Lonely Is the Name; 1968 I've Gotta Be Me; 1969 The Goin's Great; 1970 Sammy Steps Out
It should only contain pages that are Sammy Davis Jr. songs or lists of Sammy Davis Jr. songs, as well as subcategories containing those things (themselves set categories). Topics about Sammy Davis Jr. songs in general should be placed in relevant topic categories .
Sammy Davis Jr. Sings Mel Tormé's "California Suite" (1964) Sammy Davis Jr. Sings the Big Ones for Young Lovers (1964) When the Feeling Hits You! (with Sam Butera and the Witnesses) (1965) Our Shining Hour (with Count Basie) (1965) If I Ruled the World (1965) The Nat King Cole Songbook (1965) Sammy's Back on Broadway (1965) The Sammy Davis Jr ...
Sammy Davis Jr's Greatest Hits – The Top Twelve ... I've Gotta Be Me is a 1968 studio album by Sammy Davis Jr. The album includes covers of three songs from the ...
Sammy Davis Jr. Belts the Best of Broadway is a 1962 studio album by Sammy Davis Jr., arranged by Marty Paich. Track listing. Too Close for Comfort" ...
The Sammy Davis Jr. All-Star Spectacular; Sammy Davis Jr. Belts the Best of Broadway; Sammy Davis Jr. Now; Sammy Davis Jr. Salutes the Stars of the London Palladium; Sammy Davis Jr. Sings and Laurindo Almeida Plays; Sammy Davis Jr. Sings Mel Tormé's "California Suite" Sammy Davis Jr. Sings the Big Ones for Young Lovers; Sammy Davis Jr. Sings ...
The Latin band El Chicano covered the song on their 1975 LP Pyramid of Love and Friends. [11] Sammy Davis Jr.'s version of "Keep Your Eye on the Sparrow" was released in 1976. It reached #101 on the Billboard Bubbling Under chart. [12] [13]
Eugene Chadbourne of AllMusic rated Sammy Davis Jr.Now one-and-a-half out of five stars. He stated that "there are tracks enough on this album that are painful to sit through", but also said that "The Candy Man" "surely will retain its historical value simply for being about the closest music has ever come to being pure excrement."