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Portrait of an Elderly Man or Portrait of an Old Nobleman (Spanish - Retrato de caballero anciano) is a 1597-1600 oil on canvas portrait by El Greco, now in the Prado Museum. [1] [2] Its subject's name is unknown but he probably came from Toledo, where the artist was then working. [3] It was stored in the basement of the Real Alcázar of Madrid.
In 2000 the portrait was sold at Christie's in London as a portrait of the wife of the theologian Johannes Sylvius for nearly 20 million pounds. [5] Aeltje Pietersdr Uylenburgh lived in the minister's residence of the Oude Kerk and was the daughter of Saskia van Uylenburgh's uncle Pieter, making them first cousins, though Aeltje was a generation older and probably served as a guide for the 21 ...
References: The Pushkin Museum of Fine Arts, as Rembrandt, Портрет старушки. RKDimages, Art-work number 39471, as Attributed to Rembrandt or School of Rembrandt, Halffiguur van een oude vrouw in fantasiecostuum : Source/Photographer: Wmpearl
Portrait of an Old Woman, c 1480, 26.5 x 17.8cm (14.6 × 10.6in). Museum of Fine Arts, Houston. Portrait of an Old Woman is a small oil on wood panel painting by the Early Netherlandish painter Hans Memling, completed c 1475–80, and in the collection of the Museum of Fine Arts, Houston, Texas, since 1944. The panel has obviously been cut down ...
The poignancy of the image is dramatized by the contrast between the man's weathered and wise face, and the child's delicate profile. While the composition is thematically related to portraiture from the Netherlands, by the mid-15th century the motif of a portrait in an interior with a landscape seen in the distance was common in Italy. [1] [4]
The Ugly Duchess (also known as A Grotesque Old Woman) is a satirical portrait painted by the Flemish artist Quinten Matsys around 1513.. The painting is in oil on an oak panel, measuring 62.4 by 45.5 cm. [1] It shows an old woman with wrinkled skin and withered breasts.
Self-Portrait at the Age of 63 is a self-portrait by the Dutch artist Rembrandt. One of three dating to 1669, it was one of the last in his series of around 80 self-portraits, painted in the months before his death in October 1669. Despite the closeness of his death, and the concentration on his aging face, Rembrandt makes an impression of a ...
The picture shows an elderly man in front of a dark background with a striking golden helmet on his head. The helmet is the dominant subject of the picture thanks to its color and light and the impasto application, against which the half-illuminated face and the dark background become less important.
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