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The Spoliarium is a painting by Filipino painter Juan Luna. Luna, working on canvas , spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid , where it garnered the first gold medal (out of three). [ 1 ]
Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. [1] For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble.
A study (boceto) for what would become the final painting was created in 1880, modeled on an 1874 painting of the death of Cleopatra by the French painter Jean-André Rixens. [12] Unlike the final piece, the boceto was sold for ₱9.3 million at an auction by Salcedo Auctions in March 2019.
An Ionic capital embedded in the south wall of the Church of St. Peter at Ennea Pyrgoi, Kalyvia Thorikou, Greece. Spolia (Latin for 'spoils'; sg.: spolium) are stones taken from an old structure and repurposed for new construction or decorative purposes.
An oil on canvas painting measuring 1.15 m × 1.57 m (45 in × 62 in), Las Virgenes Cristianas Expuestas al Populacho is a "landmark painting" depicting the persecution of Christians in Ancient Rome. [3]
España y Filipinas (“Spain and the Philippines") is a series of oil on wood paintings [1] [2] by Filipino painter, Ilustrado, and revolutionary activist, Juan Luna.It is an allegorical depiction [3] of two women together, one a representation of Spain and the other of the Philippines. [4]
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" [1] or "support"). [2] The medium is commonly applied to the base with a brush , but other implements, such as knives, sponges, and airbrushes , may be used.
La Barca de Aqueronte is a Neoclassic-style painting based by Hidalgo on his reading of Dante's Inferno while in Italy. [1] [2] It is Hidalgo’s interpretation of damned souls journeying across the River Acheron towards the gates of hell or Hades.
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