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Central Asia fell largely under the control of Russia in the 19th century, following the Russian conquest of Central Asia. Russian Turkestan (1867–1917) was the western part of Turkestan within the Russian Empire 's Central Asian territories, and was administered as a krai or governor-generalship .
A symbol used by many Tengrists, representing the runic spelling of god Tengri and "shangrak" (an equilateral cross in a circle), depicting the roof opening of a yurt, and a shaman's drum. Many world-pictures and symbols are attributed to folk religions of Central Asia and Russian Siberia.
The World Tree or Tree of Life is a central symbol in Turkic mythology, and may have its origin in Central Asia. [20] According to the Altai Turks, human beings are actually descended from trees. According to the Yakuts , Ak Ana sits at the base of the Tree of Life, whose branches reach to the heavens and are occupied by various supernatural ...
There are also special symbols in Chinese arts, such as the qilin, and the Chinese dragon. [1] According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbols and motifs was and continues to be believed to increase the likelihood that those wishes would be fulfilled even in present-day. [2]
The lives of Central Asian people revolved around the nomadic lifestyle. Thereby most of the Central Asian arts in the modern times are also inspired by nomadic living showcasing the golden era. As a matter of fact, the touch of tradition and culture in Central Asian art acts as a major attraction factor for the international art forums.
Sample of Tocharian script on a tablet. The Tocharian script, [7] also known as Central Asian slanting Gupta script or North Turkestan Brāhmī, [8] is an abugida which uses a system of diacritical marks to associate vowels with consonant symbols.
The Twelve Ornaments (Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state.
The illustrations in Ancient Arts of Central Asia received positive reviews from academic critics, while the text has been strongly criticised.. In his review for Bulletin of the School of Oriental & African Studies, the British archaeologist David Bivar wrote: 'The illustrations bring together a valuable range of photographs, many previously available to the Western reader only in out-of-the ...