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Biscuit porcelain, bisque porcelain or bisque is unglazed, white porcelain treated as a final product, [1] [2] with a matte appearance and texture to the touch. It has been widely used in European pottery , mainly for sculptural and decorative objects that are not tableware and so do not need a glaze for protection.
The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience. Typically the body is first fired in a kiln to convert it into a hard porous biscuit or bisque .
A bisque porcelain bust. Biscuit [1] [2] [3] [4] (also known as bisque) refers to any pottery that has been fired in a kiln without a ceramic glaze.This can be a ...
A technique for shaping an article by pouring a deflocculated, high-solids content slip into a porous, often plaster, mould Slipware pottery where decoration in slip is a main feature. Includes slip-painting, slip-trailing, and many other techniques Slop Another name for slurry. Soaking A period during a firing cycle when a set temperature is ...
Over the following centuries, they introduced two ceramic techniques to Europe: glazing with an opaque white tin-glaze, and lustreware, which imitates metallic finishes with iridescent effects. Hispano-Moresque wares use both processes, applying the paint as an overglaze which is then fired again. [1]
One of the life-size Yixian glazed pottery luohans. Modern earthenware may be biscuit (or "bisque") [13] [14] fired to temperatures between 1,000 and 1,150 °C (1,830 and 2,100 °F) and glost-fired [15] (or "glaze-fired") [4] [16] to between 950 and 1,050 °C (1,740 and 1,920 °F). Some studio potters follow the reverse practice, with a low ...
The technique essentially uses powdered glass mixed with coloured pigments, and is the application of vitreous enamel to pottery; enamelled glass is very similar but on glass. Both these latter two are essentially painting techniques, and have been since they began.
Sprigging or sprigged decoration is a technique for decorating pottery with low relief shapes made separately from the main body and applied to it before firing. Usually thin press moulded shapes are applied to greenware or bisque. The resulting pottery is termed sprigged ware, [1] and the added piece is a "sprig". The technique may also be ...