Ad
related to: effective practice techniques for musicians and instruments related to motion
Search results
Results from the WOW.Com Content Network
Musical technique may also be distinguished from music theory, in that performance is a practical matter, but study of music theory is often used to understand better and to improve techniques. Techniques such as intonation or timbre, articulation, and musical phrasing are nearly universal to all instruments.
Tapping is a playing technique that can be used on any stringed instrument, but which is most commonly used on guitar. The technique involves a string being fretted and set into vibration as part of a single motion. This is in contrast to standard techniques that involve fretting with one hand and picking with the other.
Аԥсшәа; العربية; Azərbaycanca; বাংলা; Башҡортса; Беларуская; Беларуская (тарашкевіца) Български
In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.
A responsive instrument will provide numerous possible harmonic nodes along the length of the string. Harmonics are marked in music with a little circle above the note that determines the pitch of the harmonic. There are two types of harmonics: natural and artificial (also known as "false harmonics").
In music, a method is a kind of textbook for a specified musical instrument or a selected problem of playing a certain instrument.. A method usually contains fingering charts or tablatures, etc., scales and numerous different exercises, sometimes also simple etudes, in different keys, in ascending order as to difficulty (= in methodical progression) or with a focus on isolated aspects like ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
In practice, it is difficult for a singer or musical instrument player to achieve only pitch vibrato (where only the pitch or only the volume is varied), and variations in both pitch and volume will often be achieved at the same time. Electronic manipulation or generation of signals makes it easier to achieve or demonstrate pure tremolo or vibrato.
Ad
related to: effective practice techniques for musicians and instruments related to motion