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It is easy and relatively common to order custom instruments, and custom-built Appalachian dulcimers can run considerably less in cost than other custom-built stringed instruments (e.g., guitar, mandolin, or banjo). Cheap imports from Romania, Pakistan and China are slowly making inroads into the American market. [11]
Margaret MacArthur, folk music historian, musician and dulcimer instructor, introduced the mountain dulcimer to many folk musicians in the 1960s. Guitarist John Pearse, an early British enthusiast of the mountain dulcimer, was one of the first to introduce the dulcimer to English folk clubs in the 1960s.
Music historians report that the salterio, a hammered dulcimer, was played in Portugal, Spain, and Italy during this period. Historians say it is possible that the yangqin originated when the Portuguese, the English or the Dutch brought a dulcimer player to China who performed for locals. [1]
Friends of the Mountain Dulcimer is an informative site that encourages beginner players and helps people to learn about the instrument and make helpful contacts with others who play the instrument. It is entirely free, and has no commercial or profit making ties of any kind.
The mountain dulcimer often conjures up rustic mountain life and simple traditional music from the American South in a bygone era. But that’s not the whole story. From a group of countercultural youth living in the Santa Cruz Mountains in the late 1960s to Joni Mitchell's influential Blue album in the early 1970s, the mountain dulcimer found a new voice in a "new land": California.
There, the word dulcimer, which was familiar from the King James Version of the Bible, was used to refer to a three or four stringed fretted instrument, generally played on the lap by strumming. Variants include: The original Appalachian dulcimer; Various twentieth century derivatives, including Banjo dulcimer, with banjo-like resonating membrane
The hammered dulcimer became popular throughout the Austro-Hungarian Empire, where it was quickly spread by itinerant Jewish and Romani (Gypsy) musicians. It spread to Romania , Moldavia , Hungary , Slovakia , Ukraine and Belarus , where a variety of regional folk versions and concert instruments were developed.
Jim Couza (April 27, 1945 – August 2, 2009) [1] was an American hammered dulcimer player.. He was born in New Bedford, Massachusetts, United States, [2]. Couza was one of the early musicians at Tryworks Coffeehouse in New Bedford, Massachusetts.
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