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The Howlin' Wolf Album is the first studio album by Howlin' Wolf, released in 1969. It features members of Rotary Connection as his backing band. [1] The album mixed blues with psychedelic rock arrangements of several of Wolf's classic songs. Howlin' Wolf strongly disliked the album, which is noted on the album's cover art.
Howlin' Wolf is the second album from the Chicago blues singer ... The cover picture was changed slightly adding an elliptical logo beneath the album title that reads ...
The Howlin' Wolf Album, like rival bluesman Muddy Waters's album Electric Mud, was designed to appeal to the hippie audience. [37] The album had an attention-getting cover: large black letters on a white background proclaiming "This is Howlin' Wolf's new album. He doesn't like it. He didn't like his electric guitar at first either."
His Best is a greatest hits album by American blues musician Howlin' Wolf.The album was originally released on April 8, 1997, by MCA/Chess Records, [1] and was one of a series of releases by MCA for the 50th anniversary of Chess Records that year (see 1997 in music).
The London Howlin' Wolf Sessions is an album by blues musician Howlin' Wolf released in 1971 on Chess Records, and on Rolling Stones Records in Britain. [5] It was one of the first super session blues albums, setting a blues master among famous musicians from the second generation of rock and roll, in this case Eric Clapton, Steve Winwood, Charlie Watts, and Bill Wyman.
Moanin' in the Moonlight is a compilation album and the first album by American blues artist Howlin' Wolf, released by Chess Records in 1959. It contains songs recorded between 1951 and 1959 previously issued as singles, including one of his best-known, "Smokestack Lightning".
Live and Cookin', subtitled at Alice's Revisited, is a live album by blues musician Howlin' Wolf, released by Chess Records in 1972. [1] [2] [3] Reception.
In 1962, the song was included on Wolf's second compilation album for Chess, Howlin' Wolf. In 1968, Wolf reluctantly re-recorded "Spoonful", along with several of his blues classics in Marshall Chess's attempt at updating Wolf's sound for the burgeoning rock market.
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