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"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."
Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term: the "rudiments" needed to understanding music notation (i.e., key signatures, time signatures, rhythmic notation); scholars' views on music from antiquity to the present; and a sub-topic of musicology that ...
September – Siege of Paris (1870–71) begins: Georges Bizet, Gabriel Fauré and Camille Saint-Saëns are among those enrolled in the National Guard for defence of the city. Madame Rentz's Female Minstrels established in the United States by Michael B. Leavitt. Richard Wagner nears completion of his opera Siegfried.
As in later decades, the 1870s saw many songs which were designed to get the listeners to support a certain political point of view or perspective. This was the dawn of a new musical genre which has been influencing a good deal of music in the modern world as well. The big things which inspired protests in this time were prohibiting alcohol ...
Riemannian theory, in general, refers to the musical theories of German theorist Hugo Riemann (1849–1919). His theoretical writings cover many topics, including musical logic, [1] notation, [2] harmony, [3] melody, [4] phraseology, [5] the history of music theory, [6] etc. More particularly, the term Riemannian theory often refers to his ...
Helmholtz resonator, p. 121, fig. 32. On the Sensations of Tone as a Physiological Basis for the Theory of Music (German Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik), commonly referred to as Sensations of Tone, is a foundational work on music acoustics and the perception of sound by Hermann von Helmholtz.
See media help. The history of sound recording - which has progressed in waves, driven by the invention and commercial introduction of new technologies — can be roughly divided into four main periods: The Acoustic era (1877–1925) The Electrical era (1925–1945) The Magnetic era (1945–1975) The Digital era (1975–present)
The Oxford History of Western Music is a narrative history from the "earliest notations " (taken to be around the eighth century) to the late twentieth century. It was written by the American musicologist Richard Taruskin. Published by Oxford University Press in 2005, it is a six-volume work on the various significant periods of Western music ...
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