Search results
Results from the WOW.Com Content Network
"Give My Regards to Broadway" is a song written by George M. Cohan for his musical play Little Johnny Jones which debuted in 1904 in New York. Cohan, playing the title character, sings this song as his friend is about to sail to America , looking for evidence aboard the ship that will clear his name for allegedly throwing the English Derby .
Sheet music to "Give My Regards" The Cecil in London – Jenkins; They're All My Friends – Timothy D. McGee; Mam'selle Fauchette – Goldie Gates 'Op in the 'Ansom – Cabbies and Reformers; Nesting in a New York Tree – Florabelle Fly; The Yankee Doodle Boy – Johnny Jones; Off to the Derby – Company; Girls from the U.S.A. – Florabelle Fly
Keep the cycle going and pass your favorites along! #1. TIL about Andrew Carnegie, the original billionaire who spent 90% of his fortune creating over 3000 libraries worldwide because a free ...
My Town—George M. Cohan; Billie—Agnes Nolan; Push Me Along in My Pushcart—Ethel Levey and Pushcart Girls; Ring to the Name of Rose—Josie Cohan and Bell Ringers; Popularity—Willie and Full Company; Give My Regards to Broadway—George M. Cohan and Full Company; Act II. Forty-five Minutes from Broadway—George M. Cohan and Rose
It's also important to use the right tool to pass along an inheritance. And in that regard, you have some options. Many people opt to write a will and call it a day. And you could go that route if ...
Valedictions in formal e-mail are similar to valedictions in letters; on the whole, they are variations of "regards" and "yours". [15] However, a wide range of popular valedictions are used in casual e-mail but very rarely in letters.
I took my time with each photo, silently reminisced (we were in a library, after all), and pointed at his (admittedly sparse) spelling mistakes. After 20 pages of memories, I reached the final page.
"Awaiting on You All" is a song by English musician George Harrison, released on his 1970 triple album, All Things Must Pass. Along with the single "My Sweet Lord", it is among the more overtly religious compositions on All Things Must Pass, and the recording typifies co-producer Phil Spector's influence on the album, due to his liberal use of reverberation and other Wall of Sound production ...