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Another interpretation or usage of the gaze of Orpheus is by Geoffrey Sirc. Sirc uses Orpheus's moment of violation as argument for creative form in writing versus the standard polished text. Urging the adolescent writer to break free of formal notions of form, Sirc views the journal as the media through which Orpheus yearns for Eurydice.
He is best known for his book The Arts of Orpheus (1941), in which he analysed a large number of sources for Orphism and Orphic literature. His work is noted for its thoroughly sceptical approach to the evidence, attempting to the repudiate the notions of a coherent Orphism put forward by earlier scholars. [ 2 ]
L'anima del filosofo, ossia Orfeo ed Euridice (The Soul of the Philosopher, or Orpheus and Euridice), Hob. 28/13, is an opera in Italian in four acts by Joseph Haydn and is one of the last two operas written during his life, the other being Armida (1783).The libretto, by Carlo Francesco Badini, is based on the myth of Orpheus and Euridice as told in Ovid's Metamorphoses.
Ihab Hassan was born in Cairo, Egypt, and emigrated to the United States in 1946.He was Emeritus Vilas Research Professor at the University of Wisconsin–Milwaukee.His writings include influential books such as The Dismemberment of Orpheus: Toward a Postmodern Literature (1971, 1982), Paracriticisms: Seven Speculations of the Times (1975), and The Postmodern Turn: Essays in Postmodern Theory ...
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Orfeo (Orpheus) is an opera in three acts, a prologue and an epilogue by the Italian composer Luigi Rossi. The libretto, by Francesco Buti, is based on the myth of Orpheus and Eurydice. Orfeo premiered at the Théâtre du Palais-Royal in Paris on 2 March 1647. [1] It was one of the earliest operas to be staged in France.
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