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Saint Augustine (354–430) in the City of God based the discussion of the miraculous aspects of monsters (including the salamander in fire) largely on Pliny's Natural History. [37] Augustine then used the example of the salamander to argue for the plausibility of the Purgatory where humans being punished by being burned in eternal flame. [38] [1]
The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
The natural world contains many strange things, including elemental beings corresponding to the four classical elements: undines , sylphs , gnomes and salamanders . He dismisses the conventional Christian view that elemental beings are devils, instead arguing that they are significant parts of God's creation, and studies them like he studied ...
A Hellmouth, or the jaws of Hell, is the entrance to Hell envisaged as the gaping mouth of a huge monster, an image which first appeared in Anglo-Saxon art, and then spread all over Europe. It remained very common in depictions of the Last Judgment and Harrowing of Hell until the end of the Middle Ages , and is still sometimes used during the ...
A detail from Hieronymus Bosch's depiction of Hell (16th century). In Christian theology, Hell is the place or state into which, by God's definitive judgment, unrepentant sinners pass in the general judgment, or, as some Christians believe, immediately after death (particular judgment).
[9] [10] It is stated that the Ashihara-no-Nakatsukuni (葦原の中つ国, the world between Heaven and Hell) was subjugated by the gods from Takamagahara, and the grandson of Amaterasu, Ninigi-no-Mikoto (瓊瓊杵尊), descended from Takamagahara to rule the area. From then on, the emperor, a descendant of Ninigi-no-Mikoto owned Ashihara-no ...
A 19th-century depiction of the second circle of hell by William Blake Inferno is the first section of Dante Alighieri 's three-part poem Commedia , often known as the Divine Comedy . Written in the early 14th century, the work's three sections depict Dante being guided through the Christian concepts of hell ( Inferno ), purgatory ( Purgatorio ...
The tempting Serpent is depicted as a bipedal salamander-like creature because it was assumed that the serpent could walk before God's curse compelled it to crawl and eat dust. [3] The human-headed Serpent was introduced into art in the late 13th century. [ 3 ]