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Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Since then, the black velvet peci is approved to be the national head-dress for Indonesian men. It is worn all over Indonesia, especially by government officials and men (usually Muslim men) throughout the country. The peci is usually worn with batik shirt or western-style suits by men in Indonesia for those attending formal occasions. It is ...
Barongsai dance (nationwide), a Chinese folk dance with costume has lion-like shape, often performed by Chinese Indonesian during Chinese New Year. Bedhaya dance ( Central Java and Yogyakarta ), a Javanese sacred ritualized dance associated with the royal palaces of Yogyakarta and Surakarta , along with Srimpi .
The culture of Indonesia (Indonesian: Budaya Indonesia) has been shaped by the interplay of indigenous customs and diverse foreign influences.With over 600 distinct ethnic groups, including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages, and customs, Indonesia is a melting pot of diversity.
Kecak Dance at the Pura Dalem Temple in Ubud, Bali. The kecak dance [7] is typically performed by about fifty to one hundred men wearing only loincloths; their upper bodies are left bare. They form concentric circles, in the middle of which is a traditional Balinese coconut oil lamp.
Saman (or the dance of a thousand hands) is one of the most popular dances in Indonesia. Its origin is from the Gayo ethnic group from Gayo Lues, Aceh province, Indonesia, and is normally performed to celebrate important occasions. [1] The dance is characterized by its fast-paced rhythm and common harmony between dancers.
Toba Batak people performing a traditional dance wearing ulos. When Ulos is used by a female, the bottom is called haen, the back is called hoba-hoba, and if it is used as a scarf, it is called ampe-ampe; if used as a head cover, it is called saong; and if used to carry a baby, it is called parompa.
Picture of Topeng dance performance accompanied by gamelan in Damar Wulan Manuscripts, 1770-1795 AD. A collection of the British Library. Topeng (from Balinese: ᬢᭀᬧᬾᬂ; Javanese: ꦠꦺꦴꦥꦺꦁ, romanized: topèng; [1] Sundanese: ᮒᮧᮕᮨᮔᮌ) is a dramatic form of Indonesian dance in which one or more mask-wearing ornately costumed performers interpret traditional ...
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