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In contrast to William and Mary furniture, which was marked by rectilinearity (straight lines) and use of curves for decoration, Queen Anne furniture uses C-scroll, S-scrolls, and ogee (S-curve) shapes in the structure of the furniture itself. [5] In sophisticated urban environments, walnut was a frequent choice for furniture in the Queen Anne ...
A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
Eastlake's book Hints on Household Taste in Furniture, Upholstery, and Other Details posited that furniture and decor in people's homes should be made by hand or machine workers who took personal pride in their work. Manufacturers in the United States used the drawings and ideas in the book to create mass-produced Eastlake Style or Cottage ...
The Queen Anne home is characterized by its asymmetrical design. With a large projecting gable on one side and a tower on the other, the Queen Anne is a tall, upright and proud house.
Other decorative arts such as architecture, ceramics, silver, and textiles could also feature elements of the William and Mary style. The design movement had an extremely positive impact on the craftsmanship and quality of British furniture. [7] The William and Mary style was a transitional style between Mannerist and Queen Anne furniture. [4]
According to Bird, "nothing symbolises 18th century furniture more than the cabriole leg." [2] The cabriole design is often associated with bun or the "ball and claw" foot design. In England, this design was characteristic of Queen Anne and Chippendale furniture. [3] In France, the cabriole leg is associated with the Louis XV period of ...
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