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The Ridgway family was one of the important dynasties manufacturing Staffordshire pottery, with a large number of family members and business names, over a period from the 1790s to the late 20th century. In their heyday in the mid-19th century there were several different potteries run by different branches of the family.
The Homemaker range was first produced using the Metro shape created by Ridgway design director Tom Arnold [1] [page needed] (died 2002) and later on the new Cadenza shape. Homemaker was earthenware, transfer printed with a glaze applied on top, which enabled it to be produced relatively cheaply and to appeal to a mass market. Production of the ...
The works were opened in Shelton's Lower Bedford Street, under the ownership of the British Gaslight Company, to supply Hanley and Stoke in 1825. The British Pottery Manufacturer's Federation Club, a large private member's club in Federation House opposite Stoke-on-Trent railway station, was established in 1951, and still operates.
[15] [16] He retired from business in 1875, and his son Edwin James Drew Bodley took over the running of part of the Hill Pottery (from 1882 the Crown Works). [17] In 1876 Bodley laid a chapel foundation stone in Congleton. [18] His residence is given as Shelton, Staffordshire, near Hanley, and Dane Bank House. He died in 1881.
Pankhurst took over the pottery of William Ridgway of the Ridgway Potteries family, who had introduced white granite ware. Between 1850 and 1851, the pottery operated as "J. W. Pankhurst" [ 1 ] until J. Dimmock joined as a partner in 1852, at which point "& Co." was added. [ 2 ]
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She worked at A.J. Wilkinson's, primarily as a 'modeler' and worked alongside factory designers John Butler and Fred Ridgway. They produced conservative, Victorian-style ware. [ 7 ] Eventually, Cliff's wide range of skills was recognized, and in 1927 she was given a studio at the adjoining Newport Pottery , which Arthur Colley Austin Shorter ...
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