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The primary characteristics of early English glass are deep rich colours, particularly deep blues and ruby reds, often with a streaky and uneven colour, which adds to their appeal; their mosaic quality, being composed of an assembly of small pieces; the importance of the iron work, which becomes part of the design; and the simple and bold style of the painting of faces and details.
The designs are often sinuous, luscious and richly textured, making highly creative use of flashed glass and repetitive forms. Drifting clouds, sweeping draperies and angel's wings lent themselves to the art of the Aesthetes. The idiosyncrasies of Burne-Jones’ style make his windows particularly easy to recognise.
There was a great demand for stained glass. The designs for many windows were based directly on the work of famous engravers such as Albrecht Dürer. Original designs often imitate this style. Much 19th-century German glass has large sections of painted detail rather than outlines and details dependent on the lead.
The Jharokha is a stone window projecting from the wall face of a building, in an upper story, overlooking a street, market, court or any other open space. A common feature in classical Indian architecture , most prominent in Rajasthan.
Second, as a result, the pointed arches of the windows could entirely fill the upper wall. Two very large rose window entirely filled the upper ends of the north and south transepts. The rebuilt abbey was consecrated in 1281. The design of the Sant-Denis window, created by the radiating stone mullions, later gave the new style its name ...
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
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Tracery is an architectural device by which windows (or screens, panels, and vaults) are divided into sections of various proportions by stone bars or ribs of moulding. [1] Most commonly, it refers to the stonework elements that support the glass in a window.
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