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The High Chaparral is an American Western action-adventure drama television series that aired on NBC from 1967 to 1971, starring Leif Erickson and Cameron Mitchell. The series was made by Xanadu Productions in association with NBC Productions, and was created by David Dortort , who had previously created Bonanza for the network.
The High Chaparral (1969) included two appearances of Ringo, portrayed first by Robert Viharo and then by Luke Askew. [40] The Gunfighters (1966), the eighth serial of the third season of Doctor Who, portrayed by Laurence Payne. Strangely, Ringo is depicted as one of the cowboys killed in the Gunfight at the O.K. Corral. [19]
Sixteen tried and sixteen died, at the hands of Johnny Rondo; Sixteen holes and sixteen souls, from the guns of Johnny Rondo. A new ranch hand (Steve Forrest) is a retired gunslinger, who has sworn off violence and hung up his guns, but who is being hunted by a restless lynch mob - relations of his late victims.
The High Chaparral (1970, TV Series) as Johnny Rondo; The F.B.I. (1970) as Lee Barrington; The Wild Country (1970) as Jim Tanner; The Late Liz (1971) as Jim Hatch; Mission: Impossible (1971, TV Series) as Edward Granger; Nichols (1971, TV Series) as Sam Yeager; Alias Smith and Jones (1972, TV Series) as Jake Halloran
Mark Van Blarcom Slade (born May 1, 1939) is an American actor, artist, and author, particularly remembered for his role of Billy Blue Cannon on the NBC Western television series The High Chaparral. [1]
The High Chaparral – David Rose; High Mountain Rangers ... D. 959, Rondo: Allegretto") – Franz ... adapted from the traditional Liverpool folk song "Johnny Todd ...
Acosta was a regular as Vaquero on NBC's The High Chaparral from 1967–1969. Other television appearances included Cheyenne, Maverick, Zorro, Bonanza, and Daniel Boone. In 1959, Acosta played the Kiowa Chief Satanta in the third episode entitled "Yellow Hair" of the ABC western series The Rebel.
The song featured especially prominent trombone lines, giving the tune its lascivious signature, evoking the feel of music used to accompany burlesque striptease artists. [4] Four years after the song was recorded, MGM Records wanted to rush-release Rose's recording of " Ebb Tide " as a 45-rpm single but needed a B-side .