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A particular aspect of Handel's restraint is his limited use of trumpets throughout the work. After their introduction in the Part I chorus "Glory to God", apart from the solo in "The trumpet shall sound" they are heard only in Hallelujah and the final chorus "Worthy is the Lamb". [111]
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
"Hallelujah!" is a 1992 song from Handel's Messiah: A Soulful Celebration, a Grammy Award winning Reprise Records concept album. The song is a soulful re-interpretation of the "Hallelujah" chorus from Messiah , George Frideric Handel 's well-known oratorio from 1741.
Hallelujah shows up just four times in the New Testament, all in the Book of Revelation. All four come at the climax of the text, when God delivers his people from the destructive power of Babylon.
Handel: Hallelujah chorus from Messiah, HWV 56 New York Philharmonic / Oratorio Society / Lyndon Woodside, Conductor / Vladimir Horowitz, Isaac Stern, Leonard Bernstein, Yehudi Menuhin, Mstislav Rostropovich, Dietrich Fischer-Dieskau, Assisting Vocalists; 1976 Columbia Masterworks 53a & 53b
Only once is the chorus divided in an upper chorus and a lower chorus, it is SATB otherwise. The orchestra scoring is simple: oboes, strings and basso continuo of harpsichord, violoncello, violone and bassoon. Two trumpets and timpani highlight selected movements, such as the closing movements of Part II, Hallelujah.
Larghetto e piano E major 3: 3 Ev’ry valley shall be exalted Aria Tenor Andante E major 4: 4 And the glory ... of the Lord shall be revealed Chorus Allegro Oboe 3/4 A major 5: 5 Thus saith the Lord of Hosts Behold, I will send my messenger Accompagnato Bass D minor 6: 6 But who may abide the day of his coming For he is like a refiner's fire Aria
Hallelujah, Anyway – Remembering Tom Cora is a 1999 double-CD compilation album by various artists dedicated to United States cellist and composer Tom Cora, who had died on April 9, 1998. It includes material composed in Cora's memory, songs he had written for other musicians and groups, and a selection of music he had performed and ...
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