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At the time of its release, the staff at Variety magazine panned the film: "Despite a sextet of name players, Ruthless is a victim of clichéd and outmoded direction and of weary dialog to which no actor could do justice.
Natural horror is a subgenre of horror films that features natural forces, [1] typically in the form of animals or plants, that pose a threat to human characters.. Though killer animals in film have existed since the release of The Lost World in 1925, [2] two of the first motion pictures to garner mainstream success with a "nature run amok" premise were The Birds, directed by Alfred Hitchcock ...
The Lion King: Mufasa Voice role [52] Clear and Present Danger: Admiral James Greer [53] 1995 Jefferson in Paris: Madison Hemings [54] Cry, the Beloved Country: Rev. Stephen Kumalo [55] 1996 A Family Thing: Ray Murdock [56] Good Luck: James Bing [57] 1997 Casper: A Spirited Beginning: Kibosh: Voice, direct-to-video [58] Gang Related: Arthur ...
Stephen Torg seeks work at a struggling travelling circus. While there, a lion escapes; Torg is able to control it with his skill at hypnotism. Phil Danton, the head of the circus, is so impressed, he hires the newcomer. Then someone comes up with an idea. Torg hypnotises Mary so that she can perform a dangerous aerial stunt without props.
A photographer and his daughter arrive in Africa hoping to capture the local wildlife on film. Instead, they encounter (and never end up photographing) a killer leopard, a swarm of locusts, deadly lion worshippers, and Bomba the Jungle Boy. Bomba was raised by an aged naturalist, Cody Casson (since deceased). He now lives beyond the Great Rift.
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Although The Tingler was filmed in black-and-white, a short color sequence was spliced into the film. It showed a sink (in black-and-white) with bright-red "blood" flowing from the taps and a black-and-white Evelyn watching a bloody red hand rising from a bathtub, likewise filled with the bright red "blood". Castle used color film for the effect.
Danger Lights was filmed during a period when some movie studios were experimenting with various widescreen film formats. As part of this trend, two versions of the film were created. One used standard 35mm film and Academy ratio, and the other used an experimental 65mm widescreen format at a 2:1 aspect ratio.