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Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905. O'Keeffe experimented with depicting flowers in her high school art class. Her teacher explained how important it was to examine the flower before drawing it.
An older, but similar work by O'Keeffe, Jimson Weed/White Flower No. 1 (1932), focusing on only a single flower, was sold by the Georgia O'Keeffe Museum at auction to Walmart heiress Alice Walton in 2014 for $44,405,000, more than tripling the previous world record auction for a piece by a female artist. [5]
The 8 in × 6 in (20.3 cm × 15.2 cm) oil painting depicts the flower against a dark cloudy background. Owned by a private collector, it is on extended loan to the Georgia O'Keeffe Museum . [ 7 ] It was stolen from the Santa Fe, New Mexico museum by a security guard, William Crumpton, who pleaded guilty on October 26, 2004 to stealing paintings ...
Spiral Screw Flowers II: 37.4 x 48.3 Sprengel Museum, Hanover Watercolour and pencil on paper, on cardboard 1932 Walk in the Orient: 21 x 33 Barnes Foundation, Philadelphia Watercolour on paper, on paperboard 1932 Athlete's Head: 62.9 x 47.9 Metropolitan Museum of Art, New York Watercolor, gouache, and graphite on paper, on cardboard 1932 Two ...
An artist working on a watercolor using a round brush Love's Messenger, an 1885 watercolor and tempera by Marie Spartali Stillman. Watercolor (American English) or watercolour (Commonwealth English; see spelling differences), also aquarelle (French:; from Italian diminutive of Latin aqua 'water'), [1] is a painting method [2] in which the paints are made of pigments suspended in a water-based ...
The Flower Book by the English artist Edward Burne-Jones (1833–1898) is a series of 38 round watercolours, each about six inches (15 centimetres) across, painted from 1882 to 1898. The paintings do not depict flowers; rather, they were inspired by the flowers' names. Burne-Jones called them "a series of illustrations to the Names of Flowers".
"Search the history of American art," wrote Ken Johnson in The New York Times, "and you will discover few watercolors more beautiful than those of Charles Demuth. Combining exacting botanical observation and loosely Cubist abstraction, his watercolors of flowers, fruit and vegetables have a magical liveliness and an almost shocking sensuousness."
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