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Stubbs had painted many horse portraits, with and without human figures, but the heroic scale and lack of background of Whistlejacket are "unprecedented" in his work and equine portraits in general and "contemporaries were so astonished that a single horse should command a huge canvas that legends quickly developed" explaining why the painting ...
[1] [2] The picture depicts a young horse in the foreground, standing with its legs in a balanced position. There is a small stream at his side, and behind the horse, we can see a flowering plant in front of a mountainous landscape. The horse has a blue color, while the mountains and the sky alternate between the red, yellow, blue and orange ...
File: Joan Miró, 1920, Horse, Pipe and Red Flower, oil on canvas, 82.6 x 74.9 cm, Philadelphia Museum of Art.jpg
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Horsewoman is a painting by the Russian artist Karl Bryullov (1799–1852), produced in 1832 and preserved in the State Tretyakov Gallery in Moscow (inventory no. 212). The size of the canvas is 291.5 × 206 cm [1] (according to other sources 293 × 209.8 cm). [2] The painting was commissioned by Countess Yuliya Samoylova in Milan. [3]
Equestrian Portrait of Charles V (also Emperor Charles V on Horseback or Charles V at Mühlberg) is an oil-on-canvas painting by the Italian Renaissance artist Titian. Created between April and September 1548 while Titian was at the imperial court of Augsburg , it is a tribute to Charles V, Holy Roman Emperor , following his victory in the ...
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