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A stressed syllable is one that is emphasized, or has prominence. In contrast to an unstressed syllable, a stressed syllable has a higher pitch. In musical terms, this pitch is commonly a perfect fourth, perfect fifth, or even minor third, above the voice’s tonic. A stressed syllable tends to have a longer duration and louder volume.
Long vowels shorten in stressed closed syllables. Short vowels lengthen in stressed open syllables. On account of the above, the vowel inventory changes from /iː i eː e a aː o oː u uː/ to /i ɪ e ɛ a ɔ o ʊ u/, with pre-existing differences in vowel quality achieving phonemic status and with no distinction between original /a/ and /aː ...
Stress is a prominent feature of the English language, both at the level of the word (lexical stress) and at the level of the phrase or sentence (prosodic stress).Absence of stress on a syllable, or on a word in some cases, is frequently associated in English with vowel reduction – many such syllables are pronounced with a centralized vowel or with certain other vowels that are described as ...
In this example, the underline means that the /t/ or /d/ that becomes flapped must be in between two vowels (where the first is stressed and the second is not). The sound, or the features of the sound, that follows the one to be changed. In this example, the /t/ or /d/ that becomes flapped must be followed by an unstressed vowel.
i does not represent a phoneme but a variation between /iː/ and /ɪ/ in unstressed positions. Speakers of dialects with happy tensing (Australian English, General American, modern RP) should read it as an unstressed /iː/, whereas speakers of other dialects (e.g. some Northern England English) should treat it the same as /ɪ/.
In non-rhotic varieties with the shift, it also encompasses the unstressed syllable of letters with the stressed variant of /ɪ/ being realized with a schwa-like quality . As a result, the vowels in kit /kət/, lid /ləd/ and miss /məs/ belong to the same phoneme as the unstressed vowel in balance /ˈbæləns/. [37] [38]
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
Accentual verse was a traditionally common prosody in Germany, Scandinavia, Iceland and Britain. [2] Accentual verse has been widespread in English poetry since its earliest recording, with Old English poetry written in a special form of accentual verse termed alliterative verse, of which Beowulf is a notable example.
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