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In an amphibrachic pair, each word is an amphibrach and has the second syllable stressed and the first and third syllables unstressed. attainder, remainder; autumnal, columnal; concoction, decoction (In GA, these rhyme with auction; there is also the YouTube slang word obnoxion, meaning something that is obnoxious.) distinguish, extinguish
A stressed syllable is one that is emphasized, or has prominence. In contrast to an unstressed syllable, a stressed syllable has a higher pitch. In musical terms, this pitch is commonly a perfect fourth, perfect fifth, or even minor third, above the voice’s tonic. A stressed syllable tends to have a longer duration and louder volume.
Stress is a prominent feature of the English language, both at the level of the word (lexical stress) and at the level of the phrase or sentence (prosodic stress).Absence of stress on a syllable, or on a word in some cases, is frequently associated in English with vowel reduction – many such syllables are pronounced with a centralized vowel or with certain other vowels that are described as ...
Anapaest–A three-syllable metrical pattern in poetry in which two unstressed syllables are followed by a stressed syllable. Dactyl–A three-syllable metrical pattern in poetry in which a stressed syllable is followed by two unstressed syllables. Spondee–A beat in a poetic line that consists of two accented syllables. It is a poetic form ...
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
A long syllable (one that contains a long vowel or a diphthong, or ends in a consonant) with a main stress is metrically strong, and a short syllable with a main stress is metrically weak. All syllables without a main stress are metrically neutral. A strong syllable can only occur in the rising part of the second, third, and fourth foot of a line:
i does not represent a phoneme but a variation between /iː/ and /ɪ/ in unstressed positions. Speakers of dialects with happy tensing (Australian English, General American, modern RP) should read it as an unstressed /iː/, whereas speakers of other dialects (e.g. some Northern England English) should treat it the same as /ɪ/.
Accentual verse was a traditionally common prosody in Germany, Scandinavia, Iceland and Britain. [2] Accentual verse has been widespread in English poetry since its earliest recording, with Old English poetry written in a special form of accentual verse termed alliterative verse, of which Beowulf is a notable example.
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