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As a practical tool, fabels form part of the process of engaging with a play-text undertaken by a company when mounting a production of a play. A fabel is a piece of creative writing, usually made by a dramaturg or the director, that summarizes the plot of a play in such a way as to emphasize the production's interpretation of that play-text.
This is a category for plays originally written in the German language, by German, Austrian, Swiss or other applicable German-speaking playwrights. Subcategories This category has the following 9 subcategories, out of 9 total.
The process allowed the writer him/herself to emerge from their introversion and return to the public world. [7] If the phantasies came too close to the unconscious repressed, however, the process would fail, leading either to creative inhibition or to a rejection of the artwork itself.
The Technique of Play Writing (1915) by Charlton Andrews, [9] refers to European and German traditions of dramaturgy and understanding dramatic composition. A foundational work in the Western theatrical tradition is Poetics by Aristotle (written c. 335 BCE), which analyzes the genre of tragedy.
This is a list of German-language playwrights This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
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The term "play" can encompass either a general concept or specifically denote a non-musical play. In contrast to a "musical", which incorporates music, dance, and songs sung by characters, the term "straight play" can be used. For a brief play, the term "playlet" is occasionally employed. The term "script" pertains to the written text of a play.