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  2. Murano beads - Wikipedia

    en.wikipedia.org/wiki/Murano_beads

    The copper tube helps make many other different shapes. The lamp-work method is the most time-consuming method of glass bead-making, as each bead must be formed individually. Using a torch for heat, Murano glass rods and tubes are heated to a molten state and wrapped around a metal rod until the desired shape is achieved. Several layers of ...

  3. Heishe - Wikipedia

    en.wikipedia.org/wiki/Heishe

    Heishe or heishi (pronounced "hee shee") are small disc- or tube-shaped beads made of organic shells or ground and polished stones. They come from the Kewa Pueblo people (formerly Santo Domingo Pueblo) of New Mexico, before the use of metals in jewelry by that people. [1]

  4. Glass bead making - Wikipedia

    en.wikipedia.org/wiki/Glass_bead_making

    Glass bead making has long traditions, with the oldest known beads dating over 3,000 years. [ 1 ] [ 2 ] Glass beads have been dated back to at least Roman times. Perhaps the earliest glass-like beads were Egyptian faience beads, a form of clay bead with a self-forming vitreous coating.

  5. Peyote stitch - Wikipedia

    en.wikipedia.org/wiki/Peyote_stitch

    The Cellini spiral is a variation on the Peyote stitch that uses beads of increasing size to create a textured surface. It was originated by seed bead masters Virginia Blakelock and Carol Perenoud who developed the tubular variation and named it after Benvenuto Cellini, a 16th-century Italian sculptor known for his Rococo architectural columns. [2]

  6. Beadwork - Wikipedia

    en.wikipedia.org/wiki/Beadwork

    Modern beaded flowers, yellow made in the French beading technique and pink in the Victorian beading technique. Today, beadwork is commonly practiced by jewelers, hobbyists, and contemporary artists; artists known for using beadwork as a medium include Liza Lou, Ran Hwang, Hew Locke, Jeffery Gibson, and Joyce J. Scott.

  7. Lampworking - Wikipedia

    en.wikipedia.org/wiki/Lampworking

    The glass is heated until molten and wound around a specially coated steel mandrel, forming the base bead. The coating is an anti-fluxing bead release agent that will allow the bead to be easily removed from the mandrel, either a clay-based substance or boron nitride. It can then be embellished or decorated using a variety of techniques and ...

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