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Damask ( /ˈdæməsk/; Arabic: دمشق) is a woven, reversible patterned fabric. Damasks are woven by periodically reversing the action of the warp and weft threads. [ 1] The pattern is most commonly created with a warp-faced satin weave and the ground with a weft-faced or sateen weave. [ 2] Fabrics used to create damasks include silk, wool ...
Bazin after manufacturing. Bazin (or basin) is a West African fabric with its origin in Europe imported in Mali, made from hand-dyed cotton, resulting in a damask textile known for its stiffness and vibrant sheen. It is primarily recognized as the most commonly used fabric for crafting a Boubou, a long, loose traditional outerwear worn by both ...
Textiles can be felt or spun fibers made into yarn and subsequently netted, looped, knit or woven to make fabrics, which appeared in the Middle East during the late Stone Age. [4] From ancient times to the present day, methods of textile production have continually evolved, and the choices of textiles available have influenced how people ...
Irish linen ( Irish: Línéadach Éireannach[ 1]) is the name given to linen produced in Ireland (including both the Republic of Ireland and Northern Ireland ). Linen is cloth woven from, or yarn spun from, flax fibre, which was grown in Ireland for many years before advanced agricultural methods and more suitable climate led to the ...
For the type of garment, see Cloth diaper. For other uses, see Diaper (disambiguation). Diaper is a damask cloth with small geometrical patterns such as bird's eye or diamond shapes. Terms such as “bird’s eye” or “pheasant’s eye” refer to the size of the diamond in the design. [1] Diaper has been used as a tablecloth.
Yoruba clothing. Yoruba clothing are the traditional clothings worn by people of the Yoruba ethnic group in parts of Nigeria, Benin and Togo in a region called Yorubaland. The clothing reflects the rich culture, history and aesthetic preferences of the Yoruba people. Yoruba woman in traditional clothing. Yoruba men's clothing.
Clothing in ancient Rome generally comprised a short-sleeved or sleeveless, knee-length tunic for men and boys, and a longer, usually sleeved tunic for women and girls. On formal occasions, adult male citizens could wear a woolen toga, draped over their tunic, and married citizen women wore a woolen mantle, known as a palla, over a stola, a ...
Sadikin then introduced regulations allowing long-sleeved batik shirts to be worn at formal events in Jakarta. This decision encouraged the batik industry and made the clothing more accessible to the general public. Ali Sadikin's push for batik went beyond altering dress codes—it was a statement against social inequality and colonial legacies.