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Charlemagne by Albrecht Dürer, early 1510s, Germanisches Nationalmuseum. The rich iconography of Charlemagne is a reflection of Charlemagne's special position in Europe's collective memory, as the greatest of the Frankish kings, founder of the Holy Roman Empire, unifier of Western Europe, protector of the Catholic Church, promoter of education and of the Carolingian Renaissance, fictional ...
A coat of arms is a heraldic visual design [1] on an escutcheon (i.e., shield ), surcoat, or tabard (the last two being outer garments). The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique ...
The coat of arms of Scotland, colloquially called the Lion Rampant, is the coat of arms historically used as arms of dominion by the monarchs of the Kingdom of Scotland, and later used within the coat of arms of Great Britain and the present coat of arms of the United Kingdom. The arms consist of a red lion surrounded by a red double border ...
English heraldry is the form of coats of arms and other heraldic bearings and insignia used in England. It lies within the so-called Gallo-British tradition. Coats of arms in England are regulated and granted to individuals by the English kings of arms of the College of Arms. An individual's arms may also be borne 'by courtesy' by members of ...
The Wijnbergen Roll, a French roll of arms dating from c. 1280 and preserved in The Hague, Netherlands, attributed "D' azure a la harpe d' or " (English: Blue with a harp of gold) to the King of Ireland ("le Roi d'Irlande"). [3] [4] The harp, traditionally associated with the biblical King David, was a rare charge on medieval rolls and only two ...
The most common motifs of the ninth and the early tenth centuries -the griffin, wolf and hind- seldom figure in later Hungarian iconography and heraldic symbolism, however the Hawk or Turul which in shamanistic lore rested upon the tree of life connecting the earth with the netherworld and the skies preserved for longer as a device belonging to the ruling house.
Coats of arms of Holy Roman Emperors. The Reichsadler (" Imperial Eagle") was the heraldic eagle, derived from the Roman eagle standard, used by the Holy Roman Emperors and in modern coats of arms of Germany, including those of the Second German Empire (1871–1918), the Weimar Republic (1919–1933) and the "Third Reich" (Nazi Germany, 1933 ...
Tincture is the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is one of the most important aspects of heraldic art and design.