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"Ashes to Ashes" is a song by the English singer-songwriter David Bowie from his 14th studio album, Scary Monsters (and Super Creeps) (1980). Co-produced by Bowie and Tony Visconti, it was recorded from February to April 1980 in New York and London and features guitar synthesiser played by Chuck Hammer.
The official music video, directed by Johan Renck, was released on 7 January 2016, three days before Bowie's death. Bowie never performed the song live, but on 17 December 2015, Michael C. Hall appeared on The Late Show with Stephen Colbert , singing "Lazarus" to promote both the single's release and the musical running at New York Theatre ...
Lyrics and content. The song tells a story of a 20-year-old husband, father, and poverty -stricken factory worker whose destitution drives him to insanity. One day, Frankie comes home from work, murders his wife and child, and commits suicide. The narrative then continues to follow him into Hell. The musical backing on the song is sparse ...
"The Death of Jack the Ripper" – The Legendary Pink Dots "Down on Whores" – Benediction "Fall" - Eminem "In the Mind of a Lunatic" – Sigh "Jack" – Iced Earth [24] "Jack the Knife" – The Electric Hellfire Club "Jack the Ripper" – Buckethead "Jack the Ripper" - Hobbs' Angel of Death "Jack the Ripper" – LL Cool J "Jack The Ripper ...
In her fortune-telling booth, Estrella predicts death for Marge, who runs out, terrified, past Jerry, Angela, and Harold. The three decide to have their fortunes told. Estrella predicts "a death near water" for someone close to Angela.
Dead Silence. Dead Silence is a 2007 American supernatural horror film directed by James Wan and written by Leigh Whannell. The film stars Ryan Kwanten as Jamie Ashen, a young widower returning to his hometown to search for answers to his wife's death. It also stars Amber Valletta, Donnie Wahlberg, and Bob Gunton.
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A teenage tragedy song is a style of sentimental ballad in popular music that peaked in popularity in the United States in the late 1950s and early 1960s. Lamenting teenage death scenarios in melodramatic fashion, these songs were variously sung from the viewpoint of the dead person's romantic interest, another witness to the tragedy, or the dead or dying person.