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The two main classes of sound recording technology are analog recording and digital recording. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in ...
Ring-and-spring microphones, such as this Western Electric microphone, were common during the electrical age of sound recording c. 1925–45.. The second wave of sound recording history was ushered in by the introduction of Western Electric's integrated system of electrical microphones, electronic signal amplifiers and electromechanical recorders, which was adopted by major US record labels in ...
Example of microphone positioning in a Decca Tree setup. A Decca Tree setup uses three omnidirectional microphones arranged in a "T" pattern outlining a triangle, often equilateral; the center microphone is mixed with the two spaced microphones to fill the "hole in the middle" in their imaging; it points the sound source.
Techniques include the incorporation of non-musical sounds, overdubbing, tape edits, sound synthesis, audio signal processing, and combining segmented performances into a unified whole. [1] Despite the widespread changes that have led to more compact recording set-ups, individual components such as DAWs are still referred to as "the studio".
Compared to vinyl record, it was noticed that CD was far more revealing of the acoustics and ambient background noise of the recording environment. [37] For this reason, recording techniques developed for analog disc, e.g., microphone placement, needed to be adapted to suit the new digital format. [37]
Gobo panels in a recording studio. Gobo is a sound recording term for a movable acoustic isolation panel. In typical use, a recording engineer might put a gobo between two musicians to increase the isolation of their microphones from each other. The origin of the term "gobo" is obscure, but is most likely short for "go-between".
Max Mathews, an acoustic researcher [9] at Bell Telephone Laboratories' Acoustic and Behavioural Research Department, is responsible for some of the first digital music technology in the 1950s. Mathews also pioneered a cornerstone of music technology; analog-to-digital conversion .
Quality Record Pressings was born out of parent company Acoustic Sounds, Inc. Kassem started Acoustic Sounds in 1986 as a mail-order business specializing in the sale of audiophile vinyl LPs, SACDs, DVD-Audios, high-quality CDs and high-end stereo equipment.