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"All Hail the Power of Jesus' Name" is a Christian hymn. The hymn has been called the "National Anthem of Christendom ". [ 1 ] The lyrics, written by Edward Perronet , first appeared in the November, 1779 issue of the Gospel Magazine , which was edited by the author of " Rock of Ages ", Augustus Toplady .
Though not all the songs are perfect, there's enough here to form the soundscape of worship for both the church and individuals." [10] Joshua Andre in his 365 Days of Inspiring Media review gave a psotive review of the album, saying: "this overall musical masterpiece is a treasure that is to be explored over and over. With the lead vocalists ...
Then they said, "Hail, King of the Jews!" And they struck Him with their hands. [11] In the New Century Version, "they came to him many times and said ...". [12] This additional wording reflects the insertion ἤρχοντο πρὸς αὐτὸν (ērchonto pros auton) in many early texts, but which was missing in the Textus Receptus.
It is named after its first word in the 4th-century Vulgate Bible, based on Luke 1:46–55, and is widely used by Roman Catholics, Anglicans, and the Eastern Orthodox. [2] Some Marian hymns are shared by different groups of Christians, or are influenced by other hymns.
Verses from Sir Walter Scott's 1810 narrative poem The Lady of the Lake, including "The Boat Song" ("Hail to the Chief") with which the clan welcomes the arrival by boat of their chieftain Roderick Dhu, were set to music around 1812 by the songwriter James Sanderson (c. 1769 – c. 1841); a self-taught English violinist and the conductor of the Surrey Theatre, London, who wrote many songs for ...
The phrase "God Save the King" is much older than the song, appearing, for instance, several times in the King James Bible. [21] A text based on the 1st Book of Kings Chapter 1: verses 38–40, "And all the people rejoic'd, and said: God save the King! Long live the King!
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The Son of God Goes Forth to War (1812) is a hymn by Reginald Heber [1] which appears, with reworked lyrics, in the novella The Man Who Would Be King (1888), by Rudyard Kipling and, set to the Irish tune The Moreen / The Minstrel Boy, in the film The Man Who Would Be King (1975), directed by John Huston. [2]