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The street is covered by an arching glass and cast iron roof, a popular design for 19th-century arcades, such as the Burlington Arcade in London, which was the prototype for larger glazed shopping arcades, beginning with the Saint-Hubert Gallery in Brussels (opened in 1847), the Passazh in St Petersburg (opened in 1848), the Galleria Umberto I ...
The Victor Emmanuel II National Monument (Italian: Monumento Nazionale a Vittorio Emanuele II), also known as the Vittoriano or Altare della Patria ("Altar of the Fatherland"), is a large national monument built between 1885 and 1935 to honour Victor Emmanuel II, the first king of a unified Italy, in Rome, Italy. [2]
Leonardo3 is an interactive museum and exhibition center at Galleria Vittorio Emanuele II, Piazza della Scala, Milano, Italy. [1] ...
The Cleveland Arcade, 1980. This incredibly gorgeous mall was modeled after Milan's Galleria Vittorio Emanuele II. The Cleveland Arcade, built in 1890, was one of the first covered shopping ...
The piazza, looking roughly north-east to the Duomo (on the right), and the arch that marks the entrance to Galleria Vittorio Emanuele II (on the left) Piazza del Duomo ("Cathedral Square") is the main piazza (city square) of Milan, Italy. It is named after, and dominated by, Milan Cathedral (the Duomo). The piazza marks the center of the city ...
Lombardy is also home to Italy's industrial architecture, including Italy's first building in glass, steel and iron, the glamorous shopping gallery Galleria Vittorio Emanuele II in Milan, the impressive 19th century industrial estates at Crespi d'Adda, which have been declared UNESCO World Heritage Sites, and innovative modern architecture seen ...
The great Galleria Vittorio Emanuele II, realised by Giuseppe Mengoni between 1865 and 1877 to celebrate Vittorio Emanuele II, is a covered passage with a glass and cast iron roof, inspired by the Burlington Arcade in London. Several other arcades such as the Galleria del Corso, built between 1923 and 1931
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.